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Things you buy through our links may earn Vox Media a commission. Expectations for the Companion script were low. Written by Drew Hancock, a journeyman staffer on canceled shows like Suburgatory and My Dead Ex who had been doing uncredited rewrites for Netflix YA movies and series pilots that never got made, the screenplay was delivered to the Burbank-based production company BoulderLight Pictures on spec β that is, unsolicited and without any assumption of commitment by either a studio or producer.
The kind of thing that could wind up at the bottom of a development slush pile or remain unread forever. He instead hoped to use it as a calling card to land other work. It was this writing sample to be like, If this gets made, great. Now rolling out on Imax with distribution from Warner Bros.
But precisely none of these pieces would have fallen into place without BoulderLight Pictures, a kind of burgeoning Blumhouse 2. Producers of microbudget horror since they were barely out of their teens, Lifshitz and Margules famously championed Barbarian when every studio and production shingle in Hollywood had passed on the plot-twist-y, Tarantino-tinged horror-thriller; they ultimately engineered its release through Disney.
Almost overnight, he metamorphosed from sketch-comedy-troupe refugee into a visionary final-cut director now mentioned in the same breath as Jordan Peele and Ari Aster. In , BoulderLight signed a multiyear first-look deal with the Warner Bros. I feel like we are at war continually with homogenization and mediocrity. Perhaps not coincidentally, Hollywood horror doyen Jason Blum himself gave the BoulderLight co-chieftains his personal seal of approval in The answer to both are the 2 guys pictures [ sic ] below.
Owing to some combination of relative youth and a lengthening track record of success, Lifshitz and Margules view themselves as agents of change β of fiscal responsibility married to creative big swings in a stagnating Hollywood. That unflagging drive, however, can be both an asset and a liability.