If this little book reads more like a memoir than a systematic study of conditions, my excuse is that I remained too long in France and was too much with the people whose work most interested me, to be capable, for a long while, at any rate, of writing a detached statistical account of their remarkable work.
In the first place, although it was my friend Owen Johnson who suggested this visit to France and personal investigation of the work of her women, I went with a certain enthusiasm, and the longer I remained the more enthusiastic I became. My idea in going was not to gratify my curiosity but to do what I could for the cause of France as well as for my own country by studying specifically the war-time work of its women and to make them better known to the women of America.
The average American woman who never has traveled in Europe, or only as a flitting tourist, is firm in the belief that all Frenchwomen are permanently occupied with fashions or intrigue. If it is impossible to eradicate this impression, at least the new impression I hope to create by a recital at first hand of what a number of Frenchwomen who are merely carefully selected types are doing for their country in its present ordeal, should be all the deeper.
American women were not in the least astonished at the daily accounts which reached them through the medium of press and magazine of the magnificent war [Pg xii] services of the British women. That was no more than was to have been expected. Were they not, then, Anglo-Saxons, of our own blood, still closer to the fountain-source of a nation that has, with whatever reluctance, risen to every crisis in her fate with a grim, stolid, capable tenacity that means the inevitable defeat of any nation so incredibly stupid as to defy her?
If word had come over that the British women were quite indifferent to the war, were idle and frivolous and insensible to the clarion voice of their indomitable country's needs, that, if you like, would have made a sensation.
