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Things you buy through our links may earn Vox Media a commission. We did wear those shirts, we loved them, and we wanted to say yes to taking them off. Though the college did accept our demands, the broader culture did not. In fact, we became laughingstocks. When this piece aired in , I was in graduate school in New York City, trying very hard to leave Antioch and the policy behind.
When I watched the skit, I felt misunderstood and defeated, but also kind of excited that we had hit such a nerve. Our work is being established as a best practice in colleges nationally just in time, by the way, for Antioch to win back its accreditation after sadly closing its doors in Of course I am thrilled that such competent women are picking up where we left off, and in their own honest, direct, and compelling ways.
Why is she so sympathetic and we were so β¦ not? Just look at the way the New York Times covered both eras of the movement. It is so simple: A woman with a mattress, refusing to keep her violation private, carrying with her a stark reminder of where it took place.
The work Ms. Sulkowicz is making is strict and lean, yet inclusive and open ended, symbolically laden yet drastically physical. All of this determines its striking quality as art, which in turn contributes substantially to its effectiveness as protest. From an editorial about Antioch, October 11, Antioch is trying to address a real problem. No student guilty of rape, for instance β whether date, acquaintance or stranger rape β should be allowed to remain on campus. But adolescence, particularly the college years, is a time for experimentation, and experimentation means making mistakes.
What have I done? Adolescents will always make mistakes β sometimes serious ones. During the fall of , I was in my third year at Antioch College, a tiny campus with students and three original, spired buildings, surrounded in every direction by a wide-open horizon of corn.