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Or, maybe it's not a romance at all. Westfeldt writes, directs, and plays Julie, a frustrated thirty-something New Yorker who wants a family and decides, with her pal Jason Adam Scott , to have a kid without getting married, or even romantically involved. After watching their happy single friends and miserable married pals, they decide to split custody like a divorced couple and have all the benefits of married life quality time with the kid and straight life casual sex!
Only, of course it gets complicated. And you skip them. Were you aware of that danger as you were writing? On one hand, there was an attempt to avoid issues that have been done to death. I wanted the story to really be about the friend dynamics and how the group changes.
That out-of-syncness in the group, with some having kids and how that changes the friendships and the romances. And how this alternate family choice changes the way everyone starts to sort of look at themselves and question their own choices and feel judged by their other friends, or judge the other friends themselves.
I think everybody's definition of love and of family and friendship and romance and even physical attraction sort of shifts and evolves through the story. GQ: One of my favorite parts of that dynamic is when you and Adam present your plan to all the friends, everyone is just supportive to their faces and then goes and whispers: What a horrible idea.
It's my best and my worst quality. I have a very hard time not telling the truth, and it sometimes gets me in trouble. GQ: So, if someone told you they were going to have a baby with their best friend and not be romantic, would you tell them it was a terrible idea? Because I would not necessarily think it's a terrible idea.