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EN The feminist group exhibition Sex Reenchanted presents eight international artists and their decolonial perspectives on sexuality. It is a challenge to detach the history of sexuality from the colonial era, slavery and the rational, misogynistic component of medical history.
In this endeavor, the exhibition draws strength from pre-capitalist narratives and practices, some of which have been forgotten, some of which have been repressed or erased. How can feminists appropriate historical phenomena in order to realize a new society in the sense of re-enchanting the world?
Knowledge is a dynamic entity that is constantly dying and being reborn. Thus, dealing with the meaning of cultural heritage is also a process of constant renegotiation.
While it may seem daunting to disentangle the history of sexuality from the colonial era, slavery, and a rationalized medical history shaped by misogyny, this exhibition seeks to draw strength from forgotten or violently erased pre-capitalist narratives. How can sensuality and desire emerge from the shadows of histories of colonialism, slavery and misogynistic components of modern medicine?
In answering this question, the exhibition draws on pre-capitalist narratives and art forms that have been partly forgotten and partly suppressed. How can feminists appropriate historical practices and forms of knowledge in line with Silvia Federici's call for a 're-enchantment of the world'?