Although the grandest of the many portraits of Madame de Pompadour, this is also the most naturalistic image of her, which avoids the rigid formality or mythological trappings of much court portraiture.
The former mistress of Louis XV, Madame de Pompadour had become an international celebrity by the end of her life, when this portrait was painted. However, she is presented here in her apartment at Versailles as an almost matronly figure embodying bourgeois virtue and industry as she works at a tapestry accompanied by one of her dogs.
She was an important patron of the fine, applied and performing arts and a leader of taste in matters of fashion and style, particularly the Rococo style. The objects around her testify to her interest in the arts and literature. Close examination reveals that the portrait is in fact made up of two canvases. A smaller canvas — including the head, shoulders and right forearm — has been incorporated into the larger full-length portrait. Many portraits were painted of Madame de Pompadour — , the mistress of Louis XV and one of the most famous figures of her time.
Although the grandest, this portrait by Drouais is also the most naturalistic image of her, which avoids the rigid formality or mythological trappings of much court portraiture.
Instead, we encounter Madame de Pompadour as a homely woman accompanied by one of her dogs, a black King Charles spaniel, in her salon a living or drawing room at her apartment in Versailles as she works at a tapestry tambour frame. Rather than the international celebrity she had become by the end of her life, when this portrait was painted, she is presented as an almost matronly figure embodying bourgeois virtue and industry.
